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[personal profile] ksmith
Why couldn't it have done this when I was on vacation?

Anywhere from 1" of slush to 5" of snae, depending on which weather report I read. I may be shoveling the drive this evening instead of treadmilling.

Talk in [livejournal.com profile] lnhammer's group about the downturn seen in the second books of series, and why that might be. My contention, which may not be true in all cases, is that you have no deadline for the first book beyond those you impose upon yourself. No contracts, CEs to ship back, overlaps with the outline that's due for the next book. No marketing to worry about. You were able to take as long as you needed to write it. You were able to fix the things that bugged you.

I have always heard that you need, at least in mmpbs, to kick out a book a year to build an audience. Any longer than two years between books, and you slip off peoples' radar. Dust accumulates. Folks, frankly, forget about you. I don't know if it's the same for genre tp and hc.

Yes, I know all about the authors who write one book every 4 years and whose names are Legend. Well, for every Vinge and Martin, there are a hundred 'whatever happened to...?' It may just be a fact of life, and depending on how you write, it may be something you will always wrestle with. I'm a slow writer with a day job--a book a year is not an option. So I'm left to consider how to construct a winning series, build an audience, and, well, have a life.

The importance of balance--friends, taking care of oneself, getting out of the house occasionally--is being discussed in another writers group. My 0.02 were:

I have a day job, and went through several stretches where I worked,
came home and ate dinner, then...worked. What's aggravating is when
you run into the people who question your commitment if you
complain, because you're supposed to be willing to do whatever is
necessary in order to write or promote your work. I love writing,
but it isn't a hairshirt. If I drive myself into the ground while
doing it, which muse am I feeding, exactly? Masochista, the goddess
of the midlist?

Having a life is so important. *Balance* is important.


So, I'm left to consider, how much can I do? Just because I can do it, does it mean I should? Where do I draw the line with self-promo? Where do I draw the line with schedules? What type of career do I really want, and how do I go about building it?

I am the one who has to live with these choices.

Date: 2006-03-05 11:49 pm (UTC)
From: [identity profile] kristine-smith.livejournal.com
I do believe time is an issue, too--and also a sort of mental collapse after you've created this Grand! New! Thing! and now you have to do it again. Better. With more G! N! T!'s thrown in.

*whimper*

The need to repeat G!N!T! on a regular basis is not discussed enough, at least from what I've seen. So much time is spent discussing that First Novel.

Date: 2006-03-06 03:38 am (UTC)
From: [identity profile] dancinghorse.livejournal.com
I think a lot of advice is aimed at younger writers. Publication is this huge honkin' thang, and after that you're presumed to be one of the Illuminati.

Or something.

It's just as hard to keep up the quality as it is to get it up high enough to get published. Which you know and I know but do they know?

Date: 2006-03-06 03:58 am (UTC)
From: [identity profile] kristine-smith.livejournal.com
I think if someone had tried to tell me all this stuff in the late 90s, I wouldn't have listened. I would have considered them Hardened and Cynical (tm), lost to the ways of wonder and really cool covers.

Of course, now I'm one of the H&Cs (read, Illuminati). Some things, I guess you just have to pick up in the streets and alleys.

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