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[personal profile] ksmith
Falling in line like a good little writerbot...

1. My teachers always told me that I could write. In grade school, Sister Assumpta used to help make my life miserable by reading my essays in front of the class. When she realized it bothered me, she sent me out of the room on errands, but I always returned before she was able to finish whatever I had written at the time.

2. I never really thought about being a writer until I was in my 20s, but didn't do much about it until I hit my 30s.

3. I read little SF/F. I tend to compare and contrast with work I've written or would like to write, and end up cowed or irritated. Major exception--Terry Pratchett, probably because I know I will never be able to write anything like that. Ever.

4. I believe that if you keep up with recent scientific advances and read history, you can write SF/F. True or not, it's my delusion and I'm sticking with it.

5. My favorite writer-of-the-moment is Ian Rankin, the Scots mystery writer. He writes office politics better than anyone I've ever read, with John le Carre running a close second in that regard. I love office politics. A well-described meeting is a great way to define a society and its expectations and limitations.

6. I can't see myself ever writing a male protag. I'll write male POV, but not as the primary character. I will either write middle-aged female or a younger female who has been knocked around by life enough that she is essentially middle-aged. I couldn't write an ingenue to save my life. The sarcasm would creep in eventually.

7. I've committed to writing a short work, which scares me a bit because I've never sold a short work. I wrote a couple of things in the early 90s that were rejected. Since then, it's been all novels. I think long and convoluted.

8. Stories usually come to me via an image in my mind's eye, often triggered by something I'm doing at the time. A few years ago, I was walking King along the bike trail when something caught my eye. It was a tarp or some plastic object, bright blue in color, lying (laying?? See #12) on the slope of a ravine. I imagined it a cape, then imagined someone walking over to it, attracted by the color. Since then, I've worked up synopses for a fantasy trilogy, and guess what? That scene doesn't figure in the story anymore.

9. I'm a slow writer. I wish it wasn't true, but I am. The most I was ever able to kick out in a day was 23 manuscript pages, and I couldn't write the next day. My brain felt like a wrung-out washrag.

10. I can't escape by writing. Things have to be going well for me to be able to concentrate. If life is proving a challenge, I tend to listen to music and ruminate, or read.

11. I'm an introvert personality, and I write in an introvert way--start slow, ruminate ruminate, erase, start over, ponder ponder ponder, erase. Worry over a scene until the words are exactly right. I'll never wow the assembled with glittering monologues, and I'll never be an off-the-cuff essayist. It takes me too long to get the right words, and that wrecks the spontaneity.

12. I have never diagrammed a sentence. Some terms for parts of speech are a mystery to me. At times, my grammar stinks. I write by feel--if it sounds right to my ear, I assume it's correct. The editors out there can weep now.

13. I would love to write a good horror thriller. I think scaring readers out of their wits is one of the best things a writer can do.

14. I don't think I would have become a writer if I had to write longhand or use a typewriter. I edit so much as I go along that anytime I do write longhand, I have a unreadable mess on my hands after only a paragraph or two. I fear I am a product of the desktop age.

15. I dropped the only creative writing class I ever took.

Date: 2005-12-15 02:39 pm (UTC)
From: [identity profile] planetalyx.livejournal.com
and secure in the knowledge that skiffy was now replete with middle-aged female protagonists (insert straight face here)

I mentioned the Jani Killian books in a recent article for Rabble for just this reason.

Date: 2005-12-15 05:12 pm (UTC)
From: [identity profile] kristine-smith.livejournal.com
Thank you!

It's funny--reading Moon and Bujold was what convinced me that my 42 year-old scarred survivor would find company in a flourishing market. Then sometime in the early 2000s, I was sitting on a Wiscon panel with Gerri Balter and a few other women discussing middle-aged and older female protags. I mentioned how reading B&M convinced me that there was a place for Jani. Gerri then chimed in that prior to the start of the panel, she and another panelist were trying to think of writers who were writing M-AFPs, and came up with Moon, and Bujold, and...me.

I lucked into some very selective reading, and from there assumed a subgenre.

There are more M-AFPs out there now, thankfully.

I belong to another list consisting mostly of romance writers, and something that one of them recently posted bothered me. She wrote that she preferred to read books featuring younger female protags, because they worked for her more as escape lit. As someone who was middle-aged and who was dealing with the resultant issues, she didn't want to read about someone dealing with the same issues. I realize she was qualifying things here, and everyone os certaintly entitled to read what they want. But when you have middle-aged women saying that they don't want to read stories featuring middle-aged women, it makes me wonder whether true market inroads can ever be made.

Do men feel the same way? Do middle-aged men prefer to read about younger male protags? Is a middle-aged man with middle-aged issues something they don't want to read about since they already deal with it every day?

I speak as someone who considers Angst the One True Path, so I'm probably not the right person to be pondering this issue.

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